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Let It Ride, Volume 4: Winners and Losers
Play for Keeps!
Comic avatar
Content flags: Violent ContentSexual ContentStrong LanguageNudity
Comic language: English
Genre: Drama
Activity status: Discontinued/Completed
Archive url: Visit archive
Last update: 27th Aug 2016, 3:00 PM
Number of comics: 140
Number of subscribers: 58
Visitors: 58192 visitors (257285 pages viewed)
Rating: 5 (601 votes)

Comic description

"What separates the winners from the losers is how a person reacts to each new twist of fate." -Donald Trump

Play the oldest game: the struggle for power and control. A game that is rigged for the rich and the connected, and against the broken, beaten, and damned. Play it now, play it for your entire life.

Play it because you have no choice... so play it for keeps.

Contains domestic and international terrorism, risqué situations, moderate cussing, and spectacular violence. This work is completed.

NOT available on Tapastic.


Chippewa Ghost
Chippewa Ghost
Paid Russian Troll.


Most recent comments left on Let It Ride, Volume 4: Winners and Losers

Chippewa Ghost
16th Oct 2017
Chippewa Ghost
Faaack I love Alexander's monologue.

Gonna try and top it... or barring that riff on it.
Left on Autumn Bay 4
Chippewa Ghost
3rd Jun 2017
Chippewa Ghost
that is the one line that separates him from those he fights against. That line is sacrosanct.

Yes, this may one day be his undoing.

These lines are the genesis of why Tona will be able to trap Happy into standing and fighting against overwhelming odds instead of just retreating and letting booby traps do his work... also, this will prompt some decidedly mixed loyalties on the ABPD.
Left on Los Angeles 9
Chippewa Ghost
1st Jun 2017
Chippewa Ghost
Don't draw too much from the graphics on this page.
Left on Inside Cover
4th Feb 2017
It still works because Maggie tends to blend in with the company she keeps...

(Dr. Ashton has little ego but a lot of drive.)
Left on Anvil Flats 8
Chippewa Ghost
4th Feb 2017
Chippewa Ghost
In retrospect, Dr. Ashton comes across as unnecessarily and unambiguously cruel in this sequence.
Left on Anvil Flats 8