I rather like your expressions, though the joke doesn't really entirely land for me if I'm being honest. Also it's a little odd having the hair change that drastically with the clothes, at a glance it looks like a completely different person.
In Wright as Rayne, Alex and Laura discuss powers and their relationship in a double-length page.
I just try and keep it as short as is feasible. Ideally most chapters would be around 25 pages, but I frequently am more around 30, the next chapter is actually going to be shorter than that, and the one a couple chapters ago made it to 61.
The art on the whole I think looks pretty solid for so early in, though between the lack of color and the tight zoom-ins it is a little hard to tell what exactly is colliding with what in some of the panels, the THUD one in particular. I'd try and fine tune that going forward.
In Wright as Rayne I really hope it's obvious that Mr. Atlanta is the villain.
I'd go with a lot more washed out and subtle than what you have going on. It can work, but if you're going to do it it's best to do it the way something like Gunnerkrigg Court does, where it's noticeable but still very slight.
Not entirely clear what they're discussing and I think the font could be a little better, but the page is well constructed and the art's got a very nice look to it, very expressive. Might give the comic a look through sometime, it seems pretty promising.
Admittedly I'm not entirely clear on what's going on here, though seeing the pager in proper context might help out with that a bit. Is an interesting art style though, kind of appropriately smudgy and kind of grimy for the kind of mood you seem to be trying to go for, if a little cramped with the small page size. Though I would maybe try for a better font, it doesn't really fit with the rest of the aesthetic.
In Wright as Rayne, the long-awaited showdown with Blasko doesn't last long.
Alex is the name of the main character of Wright as Rayne. Most recent non-gimmicky shot I could find of him though, from a couple chapters ago, since the premise is him stuck in the body of a teenage girl named Dorothy Wright.
He's a powerless atheist bisexual superhero - no code name or anything as himself, but as Dorothy he goes by Starchild - with something of a cynical streak and a tendency to fight dirty but generally very friendly and sociable. One of his biggest concerns is his five-year-old daughter (also named Alex technically, though she goes by Xandy) and the fact that as Dorothy he can't really directly see her.
Biggest thing that stands out to me is 'trespassing' being spread out along two lines in the last panel. I'd definitely try and watch that sort of thing in the future. Aside from that, page looks great as ever. Kind of need to get caught up, given I'm contributing to it would kind of figure I'd keep tabs but fallen a little behind unfortunately.
Not entirely clear on the context - I really should get caught up on the comic sometime, keep meaning to - but quite like how it came out. Good art, some good slapstick there, solid pacing. Really only criticism I'd maybe make is could be funnier to see the tail end of the impact itself, would both be more clear exactly what happened and it'd be more impactful. Plus could probably get a silly expression out of it.
This is a pretty good one .Well constructed, some definite charm to it, and I quite like the art. In particular I like the background detail here, does really make it feel like a store. Might give this a bit more of a lookthrough later, I'm kind of curious to see more of it.
In Wright as Rayne we get a montage of Laura trying to figure out what her powers are.
Very nice art and for the most part it's structured well, though one major issue is the panel placement at the end. Way it's laid out I at first glance read the, "Well, I'm movin' here!" panel after the one where they greet each other, and it took looking over it a second to figure out the actual intended meaning. I'd definitely try and be a little bit more clear on stuff like that in the future.
In Wright as Rayne, Hazel debuts his new haircut and color while meeting up with his mom.
Funny thing is I knew what that was by the name because of Ace Attorney. Anyway, yeah, pretty good stuff, it's a well structured page that's written well, and I like the art style a lot. The way the condition is depicted does seem a little too cartoony compared to the rest of your art style from poking around, but at least it's consistently depicted that way from what I'm seeing so I don't really think it's a problem so much. I might give this comic a proper look through later, seems like something I'd enjoy and it seems like it's very well done for being so early in. Would try to spruce up your site a bit though, it's pretty plain and the white background is kind of distracting.
In Blue Blood Heroes, the kids make a getaway and assess their gains from the encounter.
Main thought standing out to me really is if you're serious about the comic thing you should probably consider ponying up some money on a tablet and something like Manga Studio to do it a bit better with. Nothing wrong with working with what you have access to but it's kind of hard to ignore how rough and simple this all is, and how tiny the page itself is. Page itself is structured fine in terms of the way it reads and what's going on and it probably could convey a mood pretty well presented in another way.
If nothing else I'd not have gone with the vibrant brown walls and brown floor combination. Makes the page as a whole look rather drab and it draws your eyes to the background rather than the characters.
In Wright as Rayne, Alex continues to hear from what claims to be his real body.